If I had one of those fancy vibrators you plugged your iPod into you could bet your ass one of the first songs I'd throw on my playlist would be Autolux's "Turnstile Blues."
It's got a good, consistent beat. You know.
The first time I heard Autolux it was on the Sunday evening local music show on indie 103.1 and it was the UNKLE collab. "Persons and Machinery." I like Autolux a lot and seriously regret not seeing them at Sunset Junction last year, I was already there being drunkorexic and making bad decisions but the prospect of a festival full of Los Angeles' most elite hip still definitely did and still kind of makes me feel yucky in my tummy. Autolux is a trio made up of the kinda cool nerds that you ignored in high school and probably most of college, I read somewhere that they met working on the score of some play and decided to make a band.
They're also cool because they bought back the rights to their masters of "Future Perfect" from their label and are the sole owners of their material. Righteous, dudes. Autolux released the single "Audience No.2" for their upcoming album "Transit, Transit" digitally, for free on the internets and I don't want to hear any shit about "the Radiohead model" because goddammit it's not the same. Radiohead handed out a piss-poor quality version of "In Rainbows" that you could pay $5 or $5,000 for and then go stand in line at Amoeba for three hours to fork over $80 for some shitty box set that had like an extra hour of whining and like a dirty sock with a minotaur scrawled on it or some other faggy bullshit. God, it really grinds my gears when people credit Radiohead as having invented the "pay if you please" model.
Tangents of mild rage aside, Autolux is playing on halloween at some...thing. There's an open bar. I might bail on everyone and go. I bet there's gonna be foxy dudes there. More info on their 'space.
I've got to go slip into something a little more ironic.